Digital Workflow, Not "Workslow "
San Francisco 2008
DATES
November
14-17, 2007 (Friday - Monday)
*class runs
from 9:00 am -5:30pm daily
COST
$1099.00
*
The course fee covers your participation in the workshop. It does not
include travel, lodging, transportation, or meal expenses.
EQUIPMENT REQUIREMENTS
- Digital
Camera that Shoots
Raw
- Laptop
(We suggest a MAC - PC's are ok too)
- Compact
Flash Card
- Card
Reader
- External
Hard Drive (we suggest two)
- Lightroom
- Photoshop
CS3 or CS2
WORKSHOP
LOCATION
Left Space Studios
2055 Bryant Street
San Francisco, CA 94110
http://www.leftspace.com
MEALS
Meals will be at your own expense.
YOUR
INSTRUCTORS
Seth
Resnick & Jamie Spritzer
WORKSHOP
AGENDA
A full agenda is
sent to participants prior to the
workshop
CANCELLATION
POLICY
Your
deposit of $250 guarantees your registration, and can be charged to
your credit card or
paid by check when
you submit the registration form. Should you need to cancel, you
must do so no less than 30 days prior to the course date and you will
receive a refund less a $100 handling fee. There is a 50% refund if you
cancel from 29-15 days prior to the course. There is no refund if you
cancel less than 14 days prior to your course. If we need to cancel a
workshop you will be given a 30 day notice and receive a full refund of
all payments.
TRANSFERS
If
you would like to transfer to different dates for the same course,
we would be happy to accommodate your request on a space-available
basis. If you transfer more than 30 days prior to your originally
scheduled course, the fee will be $50.
QUESTIONS
For more
information please call Jamie Spritzer at 305.534.0134 or
email
Jamie@D-65.com
to see more of
Seth's work click on the image below
WORKSHOP TESTIMONIALS
Gregory Heisler, Past Workshop
Attendee, says,
"The wisdom of D-65 stems from its
premise that Seth Resnick (unlike the dime-a-dozen "experts"
doesn't presume to know everything, but possesses a powerful need
to really understand things. He absolutely understands, for
example, the crucial, undeniable interdependence of the digital medium
on all of its component parts and conveys this valuable knowledge very
clearly and systematically to the class. Not only regarding the
hardware of cameras, computers, and printers. And not just the
myriad software choices: the capture, processing, editing, image
manipulation, storage, and output applications. The true value of D-65
lies in its integration of all these aspects into a comprehensive
whole; how they can dovetail to best facilitate top-quality,
dependable, consistent results as well as successful and efficient use
of the digital medium and all that it offers. It's invaluable
that Seth immerses himself in the entire process; the real world,
soup-to-nuts experience of actually working through all the false
starts, wrong turns, short cuts, and dead ends of the digital
workflow. Further, he takes nothing for granted and relishes any
opportunity to challenge conventional wisdom. He accepts no
manufacturer's specs at face value, questions every so-called
"standard" challenges accepted practices, and keeps pushing until he's
satisfied. He's nuts, but in good way.
D-65 doesn't spew out generalized rules and settings that seem to be
O.K. or are good for most stuff. Seth specifically recounts his
own direct experiences of what works, what doesn't, and why. He
explains his process, shares his results, and offers his
recommendations. Yet he leaves it to you to accept, reject, or
assimilate the information, modifying it to suit your own creative
needs, business practices, and working style as you see fit.
Although his conclusions are hard-won, he remains open to other points
of view, alternate approaches, or new solutions. He keeps abreast
of recent developments and is aware of what's coming down the pike
(legend has it that he even has a bit of a hand in shaping the tools we
may be using next month, or next year)."
|
