Creative Workshops for 2012 almost sold out
Several folks have contacted us to sign up for trips that are sold out so we thought it would be good to broadcast what trips are still available for 2012.
Several folks have contacted us to sign up for trips that are sold out so we thought it would be good to broadcast what trips are still available for 2012.
African Adventure: Namibia & Botswana
May 6-21, 2012
Join world renowned photographer, Seth Resnick on the safari of a lifetime! This custom workshop was designed by Wilderness Safaris in conjunction with Seth Resnick D65 and Journey’s Unforgettable.
We will be photographing and exploring the Dunes of Sossesviei in Namibia, The Skeleton Coast in the Kulala Desert, the Vumbra Plains in Botwana, and a very special trip as an add on to Mombo in Botswana.
The itinerary (below) first and foremost has been customized to take you to the BEST wildlife areas at this time of the year, giving you a real sense of wilderness, and a true Africa experience, in total comfort.
This trip is truly going to be like no other. We will be utilizing planes, private open-air vehicles,hot air balloons with the most experienced, elite guides. This is the best of the best of Africa. Creativity, composition, exposure, workflow, and post-processing are only a few of the topics to be presented by world -renowned photographer and your workshop leader Seth Resnick.
This is truly a once in a lifetime African Safari, limited to 12 people with 3 guides and Seth.
Cost: $19,480 ($5,380 for Mombo Extension)
To Register:
Brennan Rimer
Journey’s Unforgettable
Brennan@journeysunforgettable.com
561-901-7048
Itinerary
May 4th: Arrive in Johannesburg and spend two nights in Johannesburg at Hotel
May 5th: Private Group Tour of Soweto/Townships with Robin Binckes (Culture!)
May 6th: Depart for Namibia and visit the Dunes of Sossesvlei staying at Kulala Desert Lodge for 3 Nights
Namibia, an arid country of startling contrasts, is home to two great deserts. Along its length, the vast shifting sand sea of the Namib sprawls inland along the Atlantic coastline. In the interior, the plateau slopes away to the north and east to meet the Kalahari Desert. This is a country famed for its expansive landscapes, fascinating geology, sun-drenched weather, wildlife and intriguingly diverse peoples.
At first glance seemingly lifeless, the reality is astonishing – some 4 000 plant species, 650 bird species and 80 large mammals can be found here. The world’s tallest sand dunes, desert-adapted black rhino, one of the oldest Bushman rock art sites, and fascinating Himba cultures – all these and more combine to make Namibia a wilderness destination with a difference.
In the Namib Desert on the private Kulala Wilderness Reserve, this lodge provides convenient private access to the iconic dunes of Sossusvlei. You will see sparsely distributed desert-adapted wildlife such as ostrich, springbok and gemsbok. Predators such as spotted hyaena and the occasional brown hyaena as well as bat-eared fox, black-backed jackal, porcupine, Cape fox and aardwolf. The aptly named Dune Lark is only to be found in this area.
At dusk the calls of barking geckoes resonate, while smaller creatures include the buck-spoor spider or the ambush specialist ant-lion. The thatched and canvas “kulalas” we will be staying in are built on a wooden platform to catch the cooling breezes with a rooftop deck for those who want to sleep under the myriad stars of Namibia’s clear night skies.
The main area has a lounge, dining area, plunge pool, and deck overlooking the ephemeral Tsauchab River. A waterhole attracts a variety of local wildlife and provides a perfect location to view and photograph the desert scenery.
The Skeleton Coast National Park is one of the planet’s most inhospitable yet hauntingly beautiful places; Skeleton Coast Camp provides a true wilderness experience in one of the most spectacular settings in Africa.
The terrain is rugged and harsh, yet, for all this, life – unusual and unexpected – prevails. The coastline harbours black-backed jackal and reclusive brown hyaena while inland secret water seeps attract gemsbok, springbok, ostrich, elephant, giraffe, Hartmann’s mountain zebra and occasionally lion. Unique bird species include Damara Tern and Gray’s Lark.
Remote Skeleton Coast Camp is set out along the banks of the ephemeral Khumib River and comprises six Meru-style canvas-walled tents with spacious bedrooms and en-suite bathrooms. An intimate main area sports an open-air ‘dining room’ under an ancient leadwood tree.
May 12th: Fly to Botswana, and connect to Kings Pool for 3 Nights
Kings Pool Camp overlooks the oxbow-shaped Kings Pool Lagoon and Linyanti River system in the central part of the concession. The area around Kings Pool is characterised by open floodplain, typical riparian forest and mopane woodland. Large elephant herds usually traverse the area together with wildebeest, zebra, giraffe, waterbuck, steenbok, warthog and roan. Predators such as lion, cheetah, leopard, hyaena and wild dog all occur.
This luxurious and stylish camp has nine well-appointed rooms of canvas and thatch, each with a large en-suite bedroom and lounge. Folding doors lead to a veranda with private plunge pool, separate thatched sala to soak up the views, and an outdoor shower. The lounge and dining areas are set on expansive decks, and there is a pool and an open-air ‘kgotla’ (boma) for evening dining under the stars.
May 15th: Depart Kings Pool to Vumbura Plains for 3 Nights
On land or water, Vumbura Plains hosts abundant iconic wildlife of Botswana – and is part of a ground-breaking partnership that brings the benefits of ecotourism to five communities around the Okavango Delta.
Vumbura Plains comprises two separate seven-roomed satellite camps with a view across the floodplains; each has its own raised dining and lounge area beneath a shady canopy, furnished with soft sofas and idiosyncratic objets d’art. Each elevated en-suite room, unique in contemporary design and with extensive use of light, wood and space, comprises a large bedroom, sunken lounge, “sala”, outdoor shower, and plunge pool.
Vumbura features a broad complement of antelope (including contrasts such as the water-loving red lechwe and the sable of the dry savannah), good populations of elephant, buffalo, hippo and giraffe, and large predators: lion, spotted hyaena, leopard, wild dog and cheetah. Bird life is abundant with Okavango specials such as Rosy-throated Longclaw, Black Coucal and Wattled Crane. The woodlands in the east harbour White-breasted Cuckooshrike and Racket-tailed Roller.
May 18th: Return to Johannesburg for those not doing the Mombo Extension
May 18th – 21st: Mombo Extension: Fly from Vumbura to Mombo (15min Flight) for 3 Nights
Mombo Camp, overlooking a plain invariably dotted with wildlife, offers arguably the best big game viewing in Botswana.
The area has prolific concentrations of plains game such as giraffe, zebra, warthog, red lechwe,tsessebe, wildebeest, kudu, elephant, buffalo and impala. Abundant predator sightings include lion, spotted hyaena and leopard. Chief’s Island is also home to the only white and black rhino in the Okavango Delta. The birding, a result of diverse habitats, is equally attractive. Large concentrations of plains game often occur in front of camp and their almost ubiquitous presence.
Mombo Camp, on Mombo Island, has nine spacious tents raised off the ground and under shady trees, all built to maximise the view over the floodplain. The tent interiors are elegantly furnished with polished parquet floors, an outdoor thatched sala, and en-suite bathrooms with indoor and outdoor showers. The main living and dining area is under thatch and there is a boma for traditional dinners, small library and a plunge pool to relax in the heat of the day.
May 21st: After an incredible safari trip, return to Johannesburg for your flights back home. For more info about the slaughter of the Rhinos
ALL the CAMPS we are traveling to are OWNED and/or OPERATED by WILDERNESS SAFARIS
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New payment terms!
Reserve your space for only $2,500.
Email - Terri.chalmers@quarkexpeditions.com
The trip is half full now!…
Locations – Spitsbergen, Greenland, Iceland
Leaders – John Paul Caponigro and Seth Resnick (D-65)
Guest Instructors – Eric Meola,Arthur Meyerson, +Ragnar Th. Sigurdsson
Greenland
| Dates | Sept. 4-17 2012 | ||
| Tuition | $13,990 single cabin $10,990 double cabin $8,990 triple cabin |
||
| Registration | terri.chalmers@quarkexpeditions.com | ||
Join us September 4-17, 2012 in the Arctic (Spitsbergen, Greenland, Iceland) for a digital photography workshop/cruise unlike any other. We’ll visit, spectacular fiords with towering ice cliffs, magnificent glaciers calving icebergs, ancient villages, and wonderful wildlife (polar bears, walrus, seal, whales, and many sea birds).
Creativity, composition, exposure, workflow, and post-processing are only a few of the topics presented.
Workshop leaders are John Paul Caponigro, and Seth Resnick.
Guest instructors are Eric Meola, Arthur Meyerson, and Ragnar th Sigurdsson.
Register
Contact – Terri Chambers
Email Terri.chalmers@quarkexpeditions.com
Phone 416-504-8979 ext. 246
Price
$8,990 triple cabin
$10,990 double cabin
$13,990 single cabin
Itinerary
Day 1 – Embarkation Day, Longyearbyen, Spitsbergen
Your adventure begins when you board your ship in Longyearbyen, the island’s largest settlement. Enjoy your first view of Spitsbergen’s rugged, glacier-topped mountains, rising majestically from icy Arctic waters.
Day 2 to 3 – Exploring Spitsbergen
Largest of the Norwegian-ruled Svalbard islands, Spitsbergen is famed for its abundant wildlife and austere beauty. Here you’ll visit spectacular glacier fronts, steep-walled fjords and the tiny international research community of Ny Alesund. Wildlife-viewing opportunities include walrus, polar bear and the unique Spitsbergen reindeer. Birders will thrill to see Arctic Terns, skuas, Long-tailed Ducks, kittiwakes and Glaucous Gulls. As an added bonus, when conditions are right, you could sail within 10° of the North Pole!
Day 4 to 5 – Greenland Sea
While sailing the historic Greenland Sea, you’ll learn about the wildlife and history of Spitsbergen, your next stop. On deck you’ll learn to identify seabirds on the wing. Share photos, sip an icy cocktail in the bar – watch a movie – there are many things to do at sea.
Day 6 to 10 – Scoresbysund, Eastern Greenland
During your tour of Greenland’s remote eastern coast, you’ll enjoy sea-level Zodiac cruises and shore visits to several locations. Sail the ice edge searching for walrus and polar bear. Visit the remains of ancient Thule settlements, and keep an eye out for grazing musk oxen, because 40% of the world’s population of this fascinating mammal lives on the east coast of Greenland. Finally, sail through spectacular Scoresbysund, birthplace of many icebergs, and – some say – the most beautiful fjord system in the world.
Day 11 to 12 – At Sea in the Denmark Strait
Sail through the Denmark Strait en route to Greenland’s mysterious eastern shore. Your onboard Expedition Team keeps you informed and entertained with
presentations about area wildlife- especially the seabirds you’ll see soaring above your ship.
Day 13 – Westman Islands (Vestmannaeyjar)
Named long ago for Irishmen (Westmen) enslaved by the medieval Norse-Gaels, this small archipelago is one of Iceland’s gems. Here you’ll learn of the area’s fascinating history and famed volcanic geology while touring the town of Heimaey. There’s also a good chance you’ll spot large colonies of puffins on one of the outlying islands.
Day 14 – Disembarkation Day, Reykjavik, Iceland
We’ll say our farewell’s with a heavy heart as our adventure ends in Reykjavik, the world’s northernmost capital city.
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John Paul Caponigro has done a series of interviews with the likes of Arthur Meyerson, Eric Meola, Sean Duggan and now with Seth Resnick. This fun interview is based on spontaneous answers to every question imaginable.
http://www.johnpaulcaponigro.com/blog/category/photographers-on-photography-2/
Share on FacebookThe American Society of Media Photographers (ASMP) and Copyright Clearance Center (CCC) are jointly producing a series of webinars to educate creators and users on copyright, licensing and monetization of content. The first webinar in a series is “What Everyone Should Know About Copyright” With Susan Carr & Richard Kelly.
Let me start by saying that I have been a long supporter of ASMP and have been a member since 1979. Having CCC as a partner being in the best interest of the ASMP membership is akin to Having BP partner with The Florida Beach Association and present a program on the importance of clean beaches or for the AMA to partner with Camel and do a program on the importance of clean air or proper health care.
I especially feel the first webinar called ”What Everyone Should Know About Copyright” makes a complete mockery out of copyright with this partnership.
BACKGROUND:
The CCC provides clearance to corporations to photocopy articles at a profit. The CCC grants a license to photocopy without paying all of the rights holders and without having all the rights to do so. Back in 2002 myself (Seth Resnick), Michael Grecco and Paula Lerner filed a suit against the CCC. http://pacer.mad.uscourts.gov/dc/cgi-bin/recentops.pl?filename=zobel/pdf/resnick%20class%20certification.pdf
Freelance photographers Seth Resnick, Paula Lerner and Michael Grecco sued The Copyright Clearance Center, Inc. (“CCC”), for copyright infringement. Defendant is a corporation that acts as an agent for publishers by granting licenses to thousands of businesses, academic institutions, libraries, and other entities for the photocopying of magazine articles. The CCC and publishers enter into agency agreements that include a representation and warranty that the publishers own sufficient intellectual property rights to grant photocopy authorization.
Licensees pay the CCC for photocopying rights, and the CCC in turn distributes a portion of the licensing revenue to publishers. In their First Amended Complaint, plaintiffs allege that when they sell a photograph to a magazine, they typically grant a limited license for the use of the image and retain all rights beyond the one-time publication.
Some publications, such as Newsweek and Forbes, do not allow the CCC to authorize reproduction of photographs.They alleged CCC to have infringed plaintiffs’ copyrights.
Plaintiffs now bring a motion under Fed. R. Civ. P. 23 to certify the following class:
All persons and/or entities who own or are the holders of a registered copyright in at least one photographic image (“Images”) that was created and first published after January 1, 1978, and appeared in a publication contained in the database of over 1.75 million publications listed with [CCC], which, without the holder’s permission or prior authorization, was copied, licensed or sold by CCC, and/or CCC granted permission or authorization, in consideration of a fee, to others to copy such Images. ”
We lost trying to certify a class action against the CCC.
The District Court denied the motion for failure to satisfy the numerosity requirement. That is, Rule 23(a) provides that class certification is proper only if, among other requirements, “the class is so numerous that joinder of all members is impracticable”.
The Court wrote that “In order to satisfy the numerosity requirement, plaintiffs must show that it is impracticable to join all photographers who have sold their copyright-registered images to CCC-affiliated publications under limited licenses, thereby retaining the exclusive right to reproduce their own work. Citing deposition testimony by the former executive director of the American Society of Magazine Photographers (“ASMP´´), plaintiffs estimate that there are “roughly 20,000´´ freelancers working in the United States. Additionally, plaintiffs state that freelancers “typically only license limited use of their product.´´”
The Court continued that “The primary evidence for this proposition is plaintiff Seth Resnick’s declaration that “the standard practice in the industry is for freelance photographers to own the copyright in their photographic images´´ and excerpts from two ASMP manuals that suggest the same. Such bare assertions do not begin to address the question of how many photographers grant limited licenses to publishers that do not include photocopying rights. The record provides little basis for this Court to determine whether joinder of all class members is impracticable or, for that matter, whether the limited licenses granted by plaintiffs are typical of the class.”
The lawsuit against CCC was not about putting money in the pockets of the plaintiffs. In fact our goal was to file a class action suit which would put money in every photographers pocket who registered their copyrights. Further the goal was to set up a plan to pay photographers what they should be legally entitled to collect from their works. The lawsuit happened only after several years of trying to get CCC to come to the table.
The issue isn’t so complex. Organizations very similar to CCC pay photographers everyday in other countries. In fact the CCC is just about the only organization in it’s class which doesn’t pay photographers. They have had a decade and haven’t done one thing. They are actually gaining recognition for copyright info right now from this webinar series and to me that is simply reprehensible. I also find it unacceptable that ASMP hasn’t at least been honest with the membership about what CCC is really about. I simply fail to see how a partnership with the CCC can in any way lead to anything positive for ASMP members. Clearly it is great PR for CCC.
Why not take the initiative and ask the membership how they feel about this? I would bet my bottom dollar that if it were put to a vote by the membership to partner with or not that the “nots” would win with a huge majority.
Check the financials of the CCC and their annual revenues were in the hundreds of millions. Our lawsuit was almost a decade ago so if you add up the numbers the CCC has easily profited in the billions since our lawsuit and certainly had the funds to find a methodology of payment to photographers. In the U.S. alone, domestic reprographic royalties now total over 100 million dollars a year. In other countries, it’s estimated that 12% of reprographic money is returned to the photographic community but in the U.S. none of it is.
In the U.S. the Copyright Clearance Center (CCC) collects domestic reprographic royalties. CCC distributes some of this money to writers, but they don’t return any to photographers because they don’t acknowledge photographers to be “ authors.”This is where ASMP should in my mind be focusing the attention.
A system is really quite easy and would promote copyright registration if payment went to those who register their copyright. This in itself would do far more to get photographers to register than a webinar.
Lexis Nexis maintains a database of the majority of magazines and credits and one search would show every magazine that a photographer with credit has been published in with the issue date and page number. This is all that is necessary to get payments to photographers as a start and yet the CCC has never made an attempt.
We stopped pursuing our lawsuit because the CCC had oodles of money and while we wanted to appeal to a higher court, we didn’t because we could have been held liable personally for all the legal fees and while Michael and Paula and I were all for a fight, none of us had the finances to do this and risk our houses and families in the process.
We need all the trade organizations and certainly ASMP to take a real stance on this and try hard to force payment to the rightful owners of the copyrights. In my mind the absolute worst thing we could do is to glorify the CCC as an educator of copyright.
2011 SCHEDULE
New York Oct. 1-4 2011
Miami Beach Oct. 16-19 2011
San Francisco Nov. 4-7 2011
2012 SCHEDULE
Dallas Jan. 27-30
Miami Beach Feb. 27-March 1
Los Angeles Mar.14-17
NYC Apr.11-14
Chicago June 3-6
Seattle July 27-30
Boston Oct. 12-15
Miami Beach Nov. 5-8
2011
Seth & Greg Gorman/ Mendocino (Sold Out)
September 11-16, 2011
Antarctica (Sold Out)
November 29-December 10, 2011
Patagonia (3 spaces left)
December 10-December 14, 2011
2012
Gorillas, Chimps, Volcanos of Rwanda (Private Trip)
February 11-February 19, 2012
D65 Africa Spectacular (12 spaces total 7 left)
May 6 – May 21, 2012
Iceland Seth Resnick & John Paul Caponigro (24 spaces,12 left)
August 25-Sept 1, 2011
Greenland and the Arctic- Polar Bears, Walrus, Fiords (50% full)
September 4-17, 2012
Atacama Desert, Chile
TBA
SCHEDULE FOR SETH RESNICK’S AFRICA SPECTACULAR 2012
To signup for this trip contact:
Brennan | Journeys Unforgettable <brennan@journeysunforgettable.com>
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I would have posted each day as planned but we were shooting for 18 hours a day and didn’t always have internet. This was one of my most enjoyable workshops ever. Below is a small sampling of some of the many highlights of the trip. Already excited to return next year teaching a joint workshop with John Paul Caponigro

The best highlight of the trip was climbing Eyjafjallajokull to the site of the eruption. At the based the water was filled with mineral deposits.

A small 3 kilometer climb and the group did great. At the base of the volcano the ice was beyond amazing
These are but a small sampling of my images from an incredible week. My class put in long long hours and on one night we got back at 1 AM and every single person in the class stayed up in the lobby drinking a bit of vodka until 4 AM working on images. Thanks to Einar and Ragnar for all their hard work and thanks to all my students for inspiration and enjoyment.
Next workshop is with Greg Gorman and it too will be Amazing…
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After coming within seconds of missing my connection to Reykjavik from JFK due to a Delta flight attendant sending me to the wrong terminal, I am very happy to finally arrive in Reykjavik, Iceland for my workshop. Landed and wasted no time getting out to make some images in and around Reykjavik. It was Gay Pride Day which is a large festival where just about everyone comes out and the weather was perfect.
Geothermal storage tanks near the Reykjavik, Iceland airport.
Mineral deposits on lava at the Blue Lagoon
The Blue Lagoon is a geothermal spa
Painting an apartment in Reykjavik
Color everywhere
Everyone chooses their own color:)
New Opera Center and Concert Hall
Reflections in water at Concert Hall
Massive job to clean all the windows
Patterns and glass are amazing
Folks take a dip in the icy ocean at the Grotta Lighthouse
SEPT 11 – 16 ALL SHOOTING WORKSHOP WITH NUDES ON LOCATION AND STUDIO
Learn or improve your studio and location lighting with Greg Gorman and Seth
Resnick for a special one week All shooting and creative workshop in spectacular
Mendocino, CA
World renowned photographer Greg Gorman invites you to join him at the Greg
Gorman Digital Workshop in Mendocino, California where Greg shares his knowledge
of digital photography in the intimate setting of his home and studio on the
Pacific North Coast. Greg’s special guest is Seth Resnick who is returning for a
third time.This workshop is ideal for any photographer looking to enhance
his/her camera, lighting, color management, image editing and fine art printing
making skills. The locations are beyond spectacular with shooting on the rugged
coast, amazing sand dunes, the redwood forests, and vineyards. The workshop
provides two professional models from New York and Los Angeles and one on one
instruction from Seth and Greg.
REGULAR PRICE $4250. $3500 FOR NEW REGISTRATIONS ONLY AND MENTION OF THIS POST FROM
D65.
FOR ADDITIONAL INFO-
http://www.d-65.com/blog/sept-11-16-all-shooting-workshop-with-nudes-on-location\
s-and-studio-mendocino-ca-with-greg-gorman-and-seth-resnick
FOR REGISTRATION To enroll visit email Trish@gormanphotography.com
TUITION: $3500
Visa and Mastercard accepted with a 3% service charge